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Ancient Egypt Magazine Volume Two Issue Six -- May/June 2002 Netfishing
by Hapy There are plenty of would-be
archaeologists out there who may never have the chance to go ‘digging’, for
reasons of health, wealth (lack of either, or both), opportunity or ability. It
takes certain qualities to be an excavator, foremost of which is stamina. The Internet has
brought opportunities to the armchair archaeologist. Previous Netfishing pages
have advised you of the splendours of Professor Kent Weeks’ work at KV5 (www.kv5.com)
and Nigel Strudwick’s Cambridge site which features ongoing work in the tomb
of Senneferi. These are real chances to participate, vicariously, in the trials
and tribulations of Egyptian archaeology. Yes, I admit to a
certain bias towards archaeologists who spend much of their time up to their
necks in water down holes in the ground, as do the Liverpool academics. Lovely!
(And it makes a change from the editor’s tales of long wet summers spent at
Gloucester or Tamworth down similar holes in the ground, masquerading as moat
sluices and sumps, and filled with Roman or medieval detritus.) It’s a friendly
site, Tell Abqa’in. It’s interesting because it gives a new view of
Egyptology, which so often centres on the Nile Valley itself, although also,
increasingly, on the oases which have their own stories to tell. Tell Abqa’in
was a remote frontier site, (as was Zawiyet Umm el Rakham, featured in earlier
editions of AE). There’s a map of the
site of Tell Abqa’in provided, which has a click-on facility to view the
walls, the central gateway, and of course, the famous wells. More water! Great! Visitors used to the
temples and tombs of the Nile Valley will see images, photographic and graphic,
of a different type of archaeology; the fortified site betrays the fears of its
age, of invasion, of territorial claimants, of the unknown. The numerous
photographs of the team at work provide a true flavour of what it’s like to
work on an Egyptian site, and there’s a handy photographic index
listing all the images. With the online launch
of the entire collection of the Petrie Museum of Egyptian Archaeology, and the
new Kahun database comprising artefacts from both the Petrie and Manchester
Museums, it seemed a good time to re-visit the ‘Digital Egypt for
Universities’ pages (www.petrie.ucl.ac.uk/digital_egypt/) for which the Petrie
collection has also provided the inspiration. This too is an ongoing
project, developed by the Petrie in conjunction with the Centre for Advanced
Spatial Analysis, UCL. At this stage, the
images of various settlement, cemetery and palaces are particularly appealing,
including visualisations and reconstructions of well-known locations such as
Hierakonpolis, Buhen, Lahun, Amarna, Badari and Naqada; Thebes, Saqqara and the
Fayum are also included. These can be located via the ‘Archaeological
Record’ on the opening page. While ostensibly aimed
at university level students, there is a page for beginners to the subject, and
a tour of the predynastic aspects of the site is on offer (with more to come).
Images of Egyptian art and architecture are also well-advanced. It will be
interesting to see how this develops after the launch of the whole Petrie
collection, with its digitised images of every one of the 80,000 items located
there. Is virtual visiting an
alternative to a trip to Egypt or to a museum? No. It is a useful accessory to a
visit, but the latter is preferable. However, the huge amount of time, effort
and resources needed to put these web sites into place may help the observer to
realise the vast amount of work that has always gone on behind the scenes at
every museum. Museums can never hope to display every item in their collections
to best advantage but in the future, digitisation may put an end to the
frustration of the student seeking particular pieces which are not exhibited
publicly.
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